xyz — the collection

i · the market · the click

success is just one click away

These works take the native economy of the network as their material: the click as the smallest unit of value, attention as currency, and the endlessly repeated promise that wealth — and salvation — are one tap away. One recognises here the self-aware irony of an artist working inside the very NFT and attention markets he anatomises: fiat and crypto, the "creative class" delivered as installable software, obedience to the interface reframed as desire. The line runs from the Situationist critique of the spectacle to today's platform capitalism; the tone is metamodern — complicit and critical in the same gesture.

stills — full-resolution files

iii · bots · agents · systems

the observer of second order

This is the most explicitly cybernetic group. Second-order observation — the observation of observers, after Heinz von Foerster and Niklas Luhmann — is the collection's method made visible: emotional agents, bots that are the only audience left, binary loops without end, a society imagined at the end of time. As a scholar one reads a sustained meditation on autopoietic systems that no longer need human beings to close their loops; as a collector, a body of work that lets code itself become the observing subject.

v · rgb · save · signal

ctrl-s rgb

Finally, the works that take the screen itself as medium and subject: RGB as the elementary pigment of the display, the save command raised to a gesture, the psychedelic overdrive of pure signal, the claim that everything is true once everything is renderable. This is the formalist, net-native core — colour-field painting rewritten for the luminous display, in the tradition that runs from concrete art through the demoscene to generative code. For a collector of digital art, these are the pieces where the medium is most nakedly honest about being pixels.